Story :

The story is all about Vaasu alias Mandar Ponkshe, who is a sex addict guy and his interaction with his ladylove Trupti. The movie tos and fros into the flashback and occasionally stays in the present only to give us a clue on what Vaasu is and why he is like this today.

Since Childhood, Mandar wants to know the inner desires of women. His nasty side gradually grew along with his age which makes him finally a womanizer.

However, the peeping Mandar dislikes to get married for three reasons. The first reason is that he is marriage-phobic, the second is that he doesn’t believe in the concept of falling in ‘love’ and the last reason is that he feels that marriage will curb all his ‘vaasugiri’...

The lustful Mandar indulged with three ladies including the married lady Jyotsna (Sai Tamhankar), Parul (Veera Saxena) and a handful of other catches (which also includes the very proverbial ‘Savita Bhabhi’). Amidst all this, he comes across a very carefree Trupti, whom he gets engaged to. But the problem is that, Mandar, in order to impress her, says that he is a very innocent and is far away from the world of sex, affairs, women and likes. On the other hand, the frank and outspoken Trupti makes it very clear about her past affairs and also a broken engagement.

Does Mandar succeed in coming clean before Trupti, does Trupti accept Mandar despite knowing about all his ‘vaasugiri’, what was the reason for Trupti’s broken engagement and what happens to all of Mandar’s past affairs is what forms the rest of the film.

Analysis :

The film has all ingredients that entice the B grade audience. Many would easily connect with the movie’s concept. The movie interlaces romedy with Drama and tragedy. All in all, it’s a complete entertainer.

The way Harshavardhan Kulkarni narrated the entire script is praiseworthy.

Performance :

The debutant director Harshavardhan Kulkarni’s is stern in conveying his message through the film without any vulgarity. He got succeeded in that. As far as the performances are concerned, Gulshan Devaiah has stolen the show. His timing is perfect. He best fits for the role. As far as the heroines in the film are concerned, the trio was very competitive one over the other. While Sai Tamhankar provides all the necessary chutzpah that was required to spice up her role, she lands up making absolutely no mistakes while bringing the film to its climax (no pun intended). Veera Saxena, who makes her debut with this film, is decent and delivers her part comfortably. On the other hand, it’s the fiery Radhika Apte, who, garnered rave reviews for her last release BADLAPUR, comes up with yet another stunner of a performance in HUNTERRR. Her timing is as effortless as her acting abilities. She is definitely a name to watch out for.

In a film of such genre, it’s generally the dialogues (mostly one-liners) which take the cake. And HUNTERRR is no different. And full credit goes to the impeccable duo of Harshavardhan Kulkarni and Vijay Maurya for springing up very impromptu lines. The film actually ‘stands’ and thrives on such dialogues and one liners.

Final Word:On the whole, if you like naughty comedy full of witty lines, then HUNTERRR is a must watch for you.